umaoutravidamiserável

generic-art:

Red Desert (1964) dir. Michelangelo Antonioni

generic-art:

Red Desert (1964) dir. Michelangelo Antonioni

(via ethoslogos-pathos)

— 19 hours ago with 97 notes

Benny’s Video | Michael Haneke

— 1 day ago
#Michael Haneke  #cinema 
Benny’s Video | Michael Haneke

Benny’s Video | Michael Haneke

— 1 day ago
#Michael Haneke  #cinema 
Benny’s Video | Michael Haneke

Benny’s Video | Michael Haneke

— 1 day ago with 1 note
#Michael Haneke  #cinema 

arpeggia:

Louise Bourgeois & Tracey Emin - Do Not Abandon Me, 2009-2010

Do Not Abandon Me is a collaboration between Louise Bourgeois and Tracey Emin consisting of sixteen intimate works made over the past two years. These drawings articulate physical drives and feelings, candidly confronting themes of identity, sexuality and the fear of loss and abandonment through joint expression.

This series originated with Bourgeois, who began the works by painting male and female torsos in profile on paper, mixing red, blue and black gouache pigments with water to create delicate and fluid silhouettes. Bourgeois then passed the images on to Emin, who later confessed: ‘I carried the images around the world with me from Australia to France, but I was too scared to touch them’. Emin overlaid Bourgeois’s forms with fantasy, drawing smaller figures that engaged with the torsos like Lilliputian lovers, enacting the body’s desires and anxieties. In one, a woman kisses an erect phallus; in another, a small fetus-like form protrudes from a swollen belly. In many, Emin’s handwriting inscribes the images with a narrative, putting into words the emotions expressed in Bourgeois’s vibrant gouaches.

This suite of prints was one of the last projects Louise Bourgeois completed before her death. They were then printed at Dye-namix studio in New York with archival dyes on cloth in an edition of 18 sets with 6 artist proofs. The exhibition travels to Hauser & Wirth from Carolina Nitsch Project Room, New York, and is accompanied by a fully illustrated catalogue.

(via indigobrat)

— 1 day ago with 3681 notes
durkin62:

watchoutboy:

OH MY GOD WHY, WHY DO YOU DO THIS ON A SITE WITH 13 YEAR OLDS WHO WILL ACTUALLY TRY THIS, STOP

Natural selection.

durkin62:

watchoutboy:

OH MY GOD WHY, WHY DO YOU DO THIS ON A SITE WITH 13 YEAR OLDS WHO WILL ACTUALLY TRY THIS, STOP

Natural selection.

(Source: theothermayor, via bratsinbattalions)

— 1 day ago with 149293 notes

ripe-for-gelatino:

bloodyaphorisms:

kateoplis:

Huxley vs. Orwell

the darkest part of this comic is the realization that they were both right

…i think i need to read brave new world now

(via amorcondussenoiadunamorte)

— 2 days ago with 166534 notes
Ossos | Pedro Costa

Ossos | Pedro Costa

— 5 days ago
#pedro costa  #cinema 
Emanuel de Witte | Interior of the Portuguese synagogue in Amsterdam 

Emanuel de Witte | Interior of the Portuguese synagogue in Amsterdam 

— 5 days ago with 3 notes
#emanuel de witte  #visualarts 
Willem Claesz Heda | Still life with oysters"He is known for his innovation of the late breakfast genre of still life painting.” @ wikipedia
so next time you hear someone joking about people taking pictures of their food, think that it was once an innovation. 

Willem Claesz Heda | Still life with oysters

"He is known for his innovation of the late breakfast genre of still life painting.” @ wikipedia

so next time you hear someone joking about people taking pictures of their food, think that it was once an innovation. 

— 5 days ago
#willem claesz heda  #visualarts 
Jan Steen | Mädchen mit Austern (Girl Eating Oysters)

Jan Steen | Mädchen mit Austern (Girl Eating Oysters)

— 5 days ago
#jan steen  #visualarts